In 2007, the Council of
Fashion Designers of America began the “Health Initiative” which, according to Vogue, a contributor to the campaign, “encourages everyone…who works in
fashion—editors, designers, photographers, and casting directors alike—to share
the responsibility of fostering a climate where a vital and healthy physique is
lauded and encouraged.” In her letter from the editor
in American Vogue’s June 2012 issue, Anna Wintour outlines
the goal of the project and clarifies that it was “not intended to tackle
eating disorders” but rather has the following goals:
-Create a healthier diet plan
-Promise
to identify and support individuals who are vulnerable to eating disorders
-Establish
a minimum age of employment for models
-Establish
a model-mentorship program
-Request
adequate breaks and access to nutritious food for models on shoots
Wintour signs off her letter with the hopeful suggestion that the “Health Initiative” and Vogue’s contribution by portraying healthy bodies “signals renewed efforts to make our ideal of beauty a healthy one.”
Given its status as the
most influential fashion magazine, Vogue’s participation with the “Health
Initiative” shows promise in reimagining the current problematic gendered body
image norms in Western culture. Yet it also raises some concerns about
social expectations of health aesthetics. What do we really think looks
“healthy”?
Jonathan Newhouse, Condé
Nast International chairman, sings the praises of the pact among the 19 Vogue
editors to support healthy body images, stating, "Vogue believes that good
health is beautiful.” Yet the magazine and its contemporary publications, the
fashion industry, cosmetic surgery business, and the rise of Spanx sales as its
creator, Sara Blakely, became the youngest woman on the Forbes Billionaire List
in 2012 suggests that either health is not always considered the standard of beauty
in today’s culture or that our ideas of healthiness are distorted by the images
we see every day.
As feminist philosopher
Susan Bordo observes in her 2003 article, “The Empire of Images in Our World of
Bodies,” consumer culture has a direct influence on social norms of body image,
sexual identity, and definitions of health. The images in magazines, on the
internet, and on television prescribe an ideal for women and men that is
advertised as a norm instead of fantasy, misinforming standards of beauty and
health. Bordo offers statistics on the rise of cosmetic surgery, a case study on
the increase of eating disorders in Fiji after the country was introduced to thin actresses on Western television, and testimonies from
other professionals to illustrate the influence of pop culture images on
conceptions of beauty, sexual identity, and health.
So what do we think is
“healthy”? Is Vogue’s “Health Initiative” going to change society’s standards
of beauty if society’s conceptions of health are skewed? As the debate over fat
shaming versus preventing obesity wage on and the amount of press devoted to
Crystal Renn’s changing dress size and health
continues to grow, perhaps our society’s attitudes about the relationship
between health and beauty are not as clearly definable or intuitive as we think
they are, particularly for women whose bodies are disproportionately
(mis)represented in pop culture.
In many ways, Vogue might
not be helping with our understanding of healthiness. British Vogue’s cover features the captain of the All Star Anti-Healthy Body Image Team, Kate Moss,
who famously claimed to live by the motto, “nothing tastes as good as skinny
feels,” suggesting that anorexia is a prescription for beauty. Meanwhile, supermodels like Cindy Crawford
and Janice Dickinson
have openly critiqued the magazine’s initiative for not reflecting the
realities of those in power of beauty standards within the industry, from the
consumer to Anna Wintour herself. Other writers and fashion insiders point out
that as long as Photoshop is fair game, it does not matter how healthy the
model is or looks: the image that gets published to the masses can still
distort “healthiness.”
Fashionista graded every
Vogue “Health Initiative” cover based on its health message, drawing attention
to the campaign’s successes and opportunities for improvement. Their assessment, though
brief, points to problems of social ideals of healthiness and beauty and to inconsistencies in recognizing
healthy as beautiful. Vogue’s “Health Initiative” invites a real
opportunity for changes within the fashion industry, yet it draws attention to
the ample space for larger change for social standards of feminine beauty and
wellbeing.
Hey Anna!
ReplyDeleteI find this to be a super interesting discussion. The articles in Vogue, as recent as the May issue, have continued to represent particularly extreme health regimens ( I am thinking specifically of one writer's endorsement of the Master Cleanse). However, the influence of Vogue extends much farther than the published articles, and I was wondering have you investigated the change in the campaigns by the various fashion houses? It would be interesting to conduct an image comparison of the larger campaigns with the models which were featured as recently as two years ago. For example Marc Jacobs or Balceniaga, who previously subscribed to the kind of inhuman, prepubescent, alien aesthetic in their models; but the models which were used in their recent runway shows do not seem to follow this look. Could the health initiatives campaign have influence over this imagery?